It’s never been an easy ride for Slipknot. In 2019 their album build-up was scarred by unspeakable tragedy and the band’s internal combustibility. The effects of that might someday make it into the music. It wouldn’t be the first time.

Most bands, no matter who they are, end up putting out a record somewhere along the line that doesn’t quite hit the mark. When it comes to Slipknot, that record is All Hope Is Gone.

Slipknot albums typically enjoy the same review cycle. Some reviewers aren’t keen but they average out at seven or eight out of ten before eventually finding their rightful place in the band’s pantheon.

Slipknot’s second major label release, which turns 18 in a few weeks, is like nothing else the band has released its whole career. It wasn’t back in 2001 and it still isn’t now.

Where to even begin with Slipknot’s self-titled 1999 album?

The band themselves only see it as a demo. Some of the songs re-appeared in a more refined form on later albums. Only half the Slipknot line-up we know and love actually played on it.