When Narrow Head released their debut album the USA and the UK were both on the cusp of insanity now fully realised. The world was shrinking until it wasn’t and political attitudes on both sides of the Atlantic have gone the other way.
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We live in a disposable world. Our attitudes towards physical products have rewarded us with landfill mountains and polluted oceans, and that’s just the items we’re told are being recycled.
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With their 2019 album barely cold in the ground, Brooklyn post-industrial duo Statiqbloom are back with a follow-up just halfway through 2020.
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This is You Can’t Kill Me, the podcast that talks about every Slipknot song one by one. Usually.
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Metal needs Trivium. For all the hybrids and subgenres that keep our scene vibrant and progressive, it’s imperative that the bands who walk a more traditional path do so with quality.
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Milk Teeth have become an important band for me for reasons musical and otherwise. So I’m always inclined to root for them and never more so than on the release of their second album.
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By the time they arrived in Copenhagen in February 1984 Metallica were established as thrash metal pioneers.
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In February 2018 Code Orange released a single as part of a series put together by Adult Swim.
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In some ways the original gothic rock scene couldn’t have happened anywhere other than right here in the United Kingdom.
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“Someone’s been listening to Deftones!” Yes, someone has. Someone’s been listening to Gore in particular.
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They say there are two types of Biffy Clyro fan. Old and new. Before and after. Pre and post.
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Scraping in on three wheels before New Year arrives, we have revealed our Albums Of The Year.
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